Charissa is a sloppy happy teary mess o’ praise after watching Hezekiah Walker New Video “Every Praise” – YouTube

Constance…when I hear my blessed Mama living in the music of Her children as they sing, I burst into tears…literally every time.  When Precious Jesus is inhabiting the praise of His peoples, I cannot help the tears of joy that simply jump out of my heart and stream tangible baptisms of gratitude, and flowing fountains of inexpressible and unutterable thankfulness that The Lord has had mercy on me, this broken and alienated stranger in a strange land.

Even as a small child, this happened to me…and then I was ashamed, because boys don’t cry.  I always cried!!

Oh, it just feels sooo good to let my heart overflow and offer Him my own soul’s inner waters out from my eyes.

It doesn’t happen to me everytime I hear a worship song, or every time I hear a hymn, or sing even…but there are those times…if you were lucky enough to be in a church that wasn’t so freaking oppressive that Mama simply looked on from a distance, silently, Her incredible generous and compassionate essence quenched by the soul-stealing stench of pride and haughtiness…then you know that moment I am talking about.  Something just…changes!  The ceilings are gone…the floors are gone…horizons expand, and suddenly you know…you. know. That God is alive, and love.  That you are alive and loved.

As a small child, as a teen, and as a young adult, these times would happen, and I would hide myself away in Them, snuggled down my tearful face buried deep in Their side, and I would breathe my thankful utterances that in this awful and desolate land that I was sentenced to dwell in until I died, through no request or doing of my own was I born and then born a prisoner…I would tell them…Oh Lovely Lovely Shepherd (for that is who I talked to then, to Jesus the Good Shepherd who left the 99 and came to get me…Jesus the compassionate who had mercy on the prostitute caught in the act of adultery…Jesus the Healer who felt the touch of faith’s heart at the hem of His garment in the throng of thousands of grabby greedy desperate hands)…Oh Wondrous Shepherd of my soul…if I can have my sentence of life in prison punctuated and pierced by these moments of furlough and reprieve, however brief…then I will follow You always.  I promise and do so choose forever, come what may.

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And then I would often weep all night long…literally…draining out the sorrow, the self-loathing and the shame and despite for my awful awful self…I would pour out my thankfulness that even to a wretch like me They would draw nigh and commune with me…even humble Themselves to TOUCH me!

And They were faithful to be there…

And They were faithful to continually work over me, labor over me, in the womb of my imprisonment and dysphoria to ready me for birth…and when labor began They went silent, for the pangs and contractions had to be strong, had to be ultimate, had to take me past my limits.  Well, they did that, and I came home finally, came out finally to live and be born…

and the moments resumed, commenced once again.

Now?  Oh. My. God.  Mama took me under Her wing, and has been teaching me, Her tongue a good Theme.

So I would ask you to give the vid a shot, for at minimum you can hear the soundtrack that played while I bawled in utter thankfulness and total gratitude for life, for Life.

And at the maximum?  Have some tissues on the by!

Love and Grace be unto you in the richest most lavish extreme…

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Hezekiah Walker New Video “Every Praise” – YouTube.

Comments on Creation’s Communion

I rarely take the trouble to interpret my poems for you, Constance…I think it is part of your own pleasure as a reader to dig in and chew, or to imbibe deep and feel the intoxicating buzz later when it enters your blood and sings its song there…dare I even insinuate it is also your responsibility as a poetry lover to allow it to disturb you, or trouble you, or even flummox you until you suss it out?

My poems are hidden inside themselves very frequently.  They are one thing on one level, multitudinous other things on other levels, they are always the same unless one word is read with different meaning and all is transformed…

…hey I am a transgirl, so is it any wonder that my poems are like me, someone hidden inside something?  Giggles!

Anyway, I want to provide a bit of background to a few things:  First of all, I want to tell you what happened after I birthed the poem, and began to go back to clean up my baby, dry off the afterbirth, feed and nurture it to vitality.  I immediately began to adjust the women-seasons metaphor.  Everyone knows that Spring is the gay and skipping girl, flouncing boldly into Old Lady Winter’s mouldery austere house, throwing up the windows and letting the stale and leaden air out!

Right?  WRONG!!!!

The poem did not give that contented groan (like my doggie when I scratched her secret spot) as I attempted to edit!  No…it went Dustin Hoffman under Laurence Olivier’s drill in Marathon Man!  Screamed in horror, fear, and outrage, it did!!  So…I went with it, and actually I love the way it turns the expected and familiar on its head, and it challenges our ideas that each season is representative of a different stage of a woman’s growth (for to me, the seasons have always been feminine)…it poses the notion that each season has a complete cycle within itself, and in its usurpation of the fading queen, it dooms itself to the same overthrow!  That clash thus takes on a fascinating depth and the iterations of metaphor grow in multiplicity.

Secondly, the word haint is an old slang word for haunt found generally in southern and rural locations.  Consider the variety of meanings layered in haunt, and understand that application of haint.  It is also a funny contraction of “have not” and/or “has not” together with “ain’t”…haint.  So ponder the reference to places as that contraction, and the elevator begins to move rapidly in its own directions thru the poem.  Lastly, haint eventually took on the connotations of a scary-mean woman, or an evil bitch…and thus the poem circles around on itself (even as the seasons chase each other endlessly in a game of Tag) and references the women mentioned in the first stanza, and the whole understanding of who is the biddy and who is the bouncy flouncy Queen B gets tripped topsy turvy.  It plays back in to that cycle of usurpation.

When people see me, they “see” me…and then if they spend any time with me with open heart, they SEE me…that is how my poems are.

I invite you to reconsider this poem with these clues…perhaps it will help with this one.  I quite like it, but only time will tell us if it an unruly towhead that gains dignity, gravity and gusto as it grows…or if it is a juvenile delinquent that is hellbent to be the lovechild of Meatloaf and AC DC!!

 

Blessings, Charissa

 

and High Mountains. 

Always High Mountains beckon me…
years of riding their stringent intractable slopes,
dizzying switchbacks,
and punishingly friendly gradients….oh High Mountains!
Sweat and tears my offerings,
and fitness and expiation
the blessings They bestowed upon me. 

How I long to share with you these feasts,
deep and austere
On this Golden Gravid Spring Day